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CCTP-719-01 Film Theory
Spring only
This course will provide an overview of a century of film theory. We will move
more or less chronologically, grouping theorists into broader conceptual
frameworks or paradigms, in order to trace the shifting interests within film
theory. In addition, we will be watching films to help us further elucidate the
theoretical concepts and to see how (and if) theory can be turned into practice.
Our goal is twofold. First: to understand and make sense of the theory, which we
will accomplish via very close readings of the written texts in conjunction with
relevant film analysis. Together, we will be critical readers, in dialogue with the
theory. Second: to consider the significance of film theory in today’s culture
dominated by the interactive screens of new media. We will examine ways in
which certain film theories are more applicable or less so in today's cinematic
experience.
Film theory addresses issues that have roots in philosophy, aesthetics, literary
theory and social commentary. Each of the texts is chosen to challenge and
expand our understanding of the specifically cinematic medium, asking
questions like: How does cinema generate meaning? How does it work on us?
What type of subject does it construct? Needless to say, we will not arrive at
conclusive answers to any of these questions. Rather, the questions raised by
the texts will challenge and enhance our understanding of the complexity that is
cinema.
Credits: 3
Prerequisites: None
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