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ENGL-260 Avant Garde Film
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From its inception, film has attracted generations of artists who viewed this technology as a medium of personal and political expression. Often working within frameworks that explicitly rejected character-driven storytelling and the industrial modes of production that made narrative film so dominant, avant-garde filmmakers produced works that provide multiple answers to the question "what is cinema?" This course examines experimental filmmaking from international and historical perspectives tracing links between avant-garde film and simultaneous movements in the other arts (constructivism, expressionism, dada, surrealism, pop art, the situationists, and postmodernism).
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